"What’s worse is that critics take a guy who only plays in the key of C and call him a genius, when they should say those guys are a bitch in C-natural." - Charles Mingus
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An icon of contemporary classical music, Karlheinz Stockhausen passed away on December 5th 2007 at his home in Kuerten-Kettenberg. Stockhausen and his music have been both controversial and influential. He composed a total 362 works, including the world’s longest opera, Licht, a sequence of seven pieces - one for every day of the week. The whole piece lasts 29 hours and composed over a 25 years period, beginning in 1977. Licht is due to be performed in full for the first time next year at The European Centre for the Arts Hellerau in Dresden, Germany. His early pieces remain significant and influential steps in the development of of postwar music. Stockhausen was also a crucial figure in the history of electronic music and remains one of its most accomplished exponents. The works which were composed until 1969 are published by Universal Edition in Vienna, and all works since then are published by the Stockhausen-Verlag. Numerous texts by Stockhausen and about his works have been published by the Stockhausen Foundation for Music. He was 79 years old.
I had heard about Doggiebox some months ago from a friend, and at the time I had the intention of finding more about it, but after a couple of days, I forgot to do so. Until a week ago…
Doggiebox is a drum machine application for Mac OS X that lets you create and manipulate percussion-based songs. What I really like about it is that all sounds are fully customizable. This means that you can create or record your own kits. For example, you can record your friend’s drumset (or your own if you have one) and create a kit with each of those sounds in Doggiebox. You can even create kits of “non-instrument” sounds (for example kits created with your voice, your kitchen pots, etc.). There are three things that make Doggiebox to me a very successful drum machine application. One (in no particular order), it’s only $39 dollars. Two, its ease of use. I was able to create a simple beat after minutes of installation. And three, you can create drum parts that sound pretty real.
This last thing is done by having different versions of the same instrument or variants within a kit:
“Some instruments in a drum kit can be played in several ways, or have their characteristics altered by the drummer, in order to produce different sounds. For example, a hi-hat can be played open or closed; a ride cymbal may be hit on the edge, or on the bell, or stricken like a crash; a snare drum might be hit with a rimshot. Such distinct sounds associated with the same instrument are referred to as variants.”
And by being able to change drum velocity:
“To give texture and realism to your percussion it is usually desirable to perform hits at different volume levels, as a human player would do in real life. Fortunately this is easy to control on a sound-by-sound basis.”
Doggiebox is a MAC only application. Songs of unlimited length can be edited in any number of tempos and time signatures. When you feel the drum part is ready, you can export it to one of a dozen file formats including AIFF and WAV, for use in other audio programs, or play back in realtime to a MIDI device. I’ve had Doggiebox for a week, so I’m sure I’m missing other features (so feel free to comment about your experience with it, good or bad). I still believe there is nothing like having a good drummer available to record your songs. Unfortunately and for various reasons, this is not always possible. Feed your Doggiebox when you can’t get one.
(I called that one “Doggie Bag”, a short beat I created with Doggiebox so you can get an idea of what you can do. I used GarageBand afterwards to add a little reverb and a bit of echo).
One of the many positive aspects of the internet, is having so much information readily available 24 hours a day, seven days a week and reachable from any part of the world. If you are always on the look for orchestration or instrumentation information, you are definitely going to like the following website. “The Orchestra: A User’s Manual“, is a powerful online resource for composers, orchestrators, students, useful to anyone with an interest in orchestras and orchestral music or anyone learning to play an instrument. It was conceived and written by Andrew Hugill in 2002-3 and the project was commissioned by the Philharmonia Orchestra.
On the site, players from the Philharmonia Orchestra explain the nature and technical limitations of their instruments with the intention to represent a realistic picture of the orchestra. The great thing about the site, is the use of video clips for explanations. The manual includes information about instrument construction, ranges, techniques, effects, and extended player’s tips and tricks, as well as resources, historical information and pointing to other helpful links.
The following paragraph is a description taken from the site:
“The aim of the user’s manual is to provide information about the orchestra, orchestration, composition and instruments, for the benefit of anybody with an interest in the subject. Unlike conventional text-based orchestration manuals, this features movies of players explaining relevant aspects of their instruments and technique, audio clips and samples of the instruments, and illustrative music from the repertoire drawn from the Philharmonia’s postwar recorded archive. The Philharmonia is the most recorded orchestra in history and from its birth in 1945 has been associated with new technologies. This use of the internet to convey information is entirely consistent with its desire to open up access to all areas of orchestral life and music-making.”
The Orchestra: A User’s Manual is one element of ‘The Sound Exchange‘, a site that provides opportunities for people to learn about the orchestra, about music and exploit the internet to help widen access to the orchestra.
We are very excited to introduce Composersnewpencil’s music composition link directory. If you are a composer, songwriter, etc., please feel free to submit your site(s) or your favorite music composition related website(s). Our intention is to build a targeted and quality content directory. All links will be personally reviewed for consideration. The main categories include: classical composition, electronic art music, film scoring, jazz composition & arranging, songwriting, experimental pop & rock, music technology and finally stores & products. Subcategories include: composer and artist sites, resources, communities and organizations among others. New categories can also be suggested.
The directory is brand new, so some categories do not contain links yet. All feedback is welcome.