The American Music Center (AMC) and American Composers Forum (ACF) have teamed up with Columbia University’s Research Center for Arts and Culture to conduct the first major study of living composers. The study aims to gather important data to guide our efforts in better serving and advocating for composers of all styles and backgrounds.

If you are a composer, you can be a part of this important research. We invite you to contribute to the study by filling out the online survey at the link below. The survey is estimated to take 20 minutes of your time. Your participation will broaden the study’s reach and give us a better understanding of current trends in the field. Thank you for helping us to help composers.

This survey is over…

The Fifth House Ensemble announces its first annual Young Composer Competition:

Deadline: Postmarked by May 1, 2008
Application Fee: $40

Prize: The grand prize winner will have his/her piece programmed and performed on our 2008-2009 subscription series in downtown Chicago, and will receive a professional recording of the live performance. A special prize will be awarded to an outstanding local applicant (from IL, WI, or IN), and his/her piece will be programmed and performed on a non-series Fifth House concert in the Chicago area.

Requirements: Submissions must be under 10 minutes long, and can be written for a minimum of four players from the Fifth House roster (string quartet, wind quintet, bass, piano). Auxiliary instruments such as piccolo, alto flute, English horn, E-flat and bass clarinet are also available. The piece may have been previously performed but must not be published. Special consideration will be given to pieces with mixed wind and string instrumentation.

Please submit a completed application form with full score and a set of parts by mail or email in PDF format. Please note that materials will not be returned without a self-addressed envelope with full postage. In addition to score and parts, please submit a brief paragraph linking the work to Fifth House’s 2008-2009 season theme, Commedia dell’Arte. Winners will be notified by e-mail on or before June 15, 2008. Application forms and more information are available at www.fifth-house.com/ycc.html.

(We would like to thank Melissa Snoza for informing us about this competition)

An icon of contemporary classical music, Karlheinz Stockhausen passed away on December 5th 2007 at his home in Kuerten-Kettenberg. Stockhausen and his music have been both controversial and influential. He composed a total 362 works, including the world’s longest opera, Licht, a sequence of seven pieces – one for every day of the week. The whole piece lasts 29 hours and composed over a 25 years period, beginning in 1977. Licht is due to be performed in full for the first time next year at The European Centre for the Arts Hellerau in Dresden, Germany. His early pieces remain significant and influential steps in the development of of postwar music. Stockhausen was also a crucial figure in the history of electronic music and remains one of its most accomplished exponents. The works which were composed until 1969 are published by Universal Edition in Vienna, and all works since then are published by the Stockhausen-Verlag. Numerous texts by Stockhausen and about his works have been published by the Stockhausen Foundation for Music. He was 79 years old.

“Elliott Carter is America’s leading composer, though as he insists, he is a composer who happens to be American. Born in 1908 Carter has been increasingly recognised as a master of closely worked, disciplined, often passionate, sometimes violent music which he is now composing with a growing facility. As a figure who spans the century he has known all the great leaders of contemporary music, from Stravinsky to Charles Ives, Edgar Varese and Aaron Copland and many, many others.”

This is the introduction to John Tusa’s interview with Elliott Carter aired in 2000 by BBC’s Radio 3, where Carter shares his view on various topics such as Charles Ives, Minimalism, John Cage, contemporary music, being a composer, music composition today, among other things.

Elliott Carter is now 98 years old and still composing. Even if you don’t like his music, it’s worth listening to the interview just to hear him talk about important historical events and some of the great figures of the 20th-century.

Listen to the 44 minute interview with Elliott Carter here (you’ll need Real Player) or read the transcript available on the BBC website.